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<li>The crowd Wing Chun --- (3)</li> | <li>The crowd Wing Chun --- (3)</li> | ||
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| + | == Kill Bill -- A movie of visual splendor and a mixture of sty == | ||
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| + | Kill Bill -- A movie of visual splendor and a mixture of styles<br><br>This movie is a visual experience of different styles, all combined with also some trademark Tarantino elements.<br><br>The movie is obviously a case of style over substance. In essence the movie is just a basic revenge flick without too much depth or meaning. This however is exactly like how Tarantino intended it to be. "Kill Bill: Vol. 1" is simple, straightforward, completely over-the-top but above all beautifully shot and superbly directed. The movie its story comes totally secondary, as Tarantino used this movie as an experimental tool to mix several, mostly Asian cinema, styles together and blend it into one big visual experience of violence and unusual over-the-top looking sequences. <br><br>His aim was style and with that this movie most certainly does not disappoint.Always when looking at a Tarantino movie, it becomes obviously that he's a big movie buff and movie lover.Tarantino really shows his love for- and pays homage to Asian cinema and especially anime. Not like the other girls in the play, wearing beautiful clothes, fashionable canvas shoes, she plays is a killer, a forced killer. Most notably of course in the animated egment (that is great by the way) but also in almost every action/fight sequence in the movie and its violence. It gives the movie its own unique style and an overall atmosphere of 'coolness'.<br><br>The movie is filled with some big name actors, though not all play a significant part in the movie yet ("Kill Bill: Vol. 2" for that). Uma Thurman is truly superb as the Bride and I can honestly say that this is her best role out of her career. She is wearing a Classic Bruce Lee Yellow Tracksuit in the play. She also was rewarded with a Golden Globe nomination for it. Also really superb in her role was Lucy Liu. Again, also her best role yet.Not of all the trademark Tarantino elements work out well in the movie I definitely missed the typical trademark Tarantino dialog in this movie and for also for most part the trademark non-linear storytelling felled pointless and didn't really served a purpose for the story. It therefor really isn't Tarantino's best but it's definitely his most experimental and most visually orientated, style-full, splendid movie. songyingy-p20131226<br> | ||
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