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Travel photography<br><br>Whether you look at them as the most expensive photographs you've ever taken, or the least expensive souvenirs you've ever purchased. whether you "take snapshots" or "create images". There's no single "best" camera or even kind of camera for travel photography. The kind of pictures you want to take, how much flexibility or ease of use you want, your budget, and even how much you want to carry all factor into it.<br><br>Regardless of media type, cameras tend to fall into three categories of ease of use and features; an increase of one tends to decrease the other:<br><br>In Phone cameras, which are bundled with most smartphones, providing a quick way for shooting without any additional device. Newer models like the iPhone 5 have considerable quality although almost all of these are no match when compared to a device specific for shooting (a real camera). They are quite OK however for the casual photographer.<br><br>Compact cameras, which provide at a reasonable price a way for quality images. If you usually take landscapes, people, and avoid weird conditions such as low light shooting or photographing speeding animals, then this is for you. Some of them have really high standard capabilities, easily comparable to the more expensive SLRs.<br><br>SLR cameras which provide the best manipulative ability and features, at the expense of the cost and other factors (like the size, the need for lens cleaning, the lack of automatic settings). They are for the serious shooter, but there can be problems when you just want to shoot something from inside a bus window.<br><br>Last years Compact and SLR tend to merge in both prices and capabilities.<br><br>The more the MPs, the bigger the size of the photograph, however the quality does not necessarily increase. The human eye cannot distinguish between higher levels of resolution, especially when the photo is viewed in an electronic device (in fact, the most high end TV sets have is 1980x1020 = 2MP).<br><br>Quality depends mostly on the sensor and the lens, not on the resolution. You may get a 12 MP camera with a poor lens (that's what most Smartphones have) that takes a lot worse images than a 4MP SLR camera.<br><br>The more the resolution,prada ipad mini 2 case, the more SD card storage you want.<br><br>Most cameras store the images with JPG which is lossy compression. If you need the 100% quality, you have to use the RAW format (usually available in SLRs).<br><br>When home, recompress your images. CPU power on PCs is much more than on camera, so you can get the same quality with less size.<br><br>Put your camera to shoot in 16:9 aspect ratio format. The old one 4:3 is deprecated and, when such images must be viewed in computers or TV sets, they will be stretched.<br><br>[edit] Media<br><br>Most, if not all cameras nowadays use SD cards to store media. These can be up to 64 GB in size; In practice, take two or three 8 16GB with you and you will be fine.<br><br>Some older models still use CDrs to store photos/videos. Avoid them, because a CD is more vulnerable to scratching or errors in writing (which could make it unusable). SD cards are more stable.<br><br>Digital cameras usually have different quality modes available which use more/less storage space for each picture. They sometimes have confusing names like SHQ, HQ, and SQ1, and different resolutions (how many pixels). Experiment ahead of time to figure out what quality setting you want to use. Keep in mind that you don't need multi megapixel images to fill a computer screen or make a pocket sized print, and you'll be able to fit a lot more photos on the same card with lower settings. Don't use the in camera display to determine what setting to use, because it can't show you how much detail you're losing; look at the final results in a print or on the computer screen (depending on how you plan on viewing your photos). The ability to switch to lower quality settings can also be useful if you're running out of storage space in the middle of nowhere: better to have the last couple dozen pictures taken at a less than ideal quality setting than to run out of exposures before you reach home.<br><br>For professional and prosumer cameras with interchangeable lenses, the choice of lenses to bring along becomes crucial. Many come with a standard kit lens that covers the range from wide angle to short telephoto. For a high end digital SLR this might be in the range of 18 70mm; for a 35mm SLR 28 100mm would be equivalent. (The magnification strength of lenses on digital SLRs varies from that of 35mm film, and even from camera to camera.) However, due to their moving parts zooms are more prone to breaking, and a sturdy and fast 50mm prime lens is a popular (and compact) backup.<br><br>Often the kit lenses are designed more for low cost than high quality; in particular they are generally quite slow. Professionals tend to buy either "prime" fixed focal length lenses or much more expensive high end zooms.<br><br>If you intend to photograph far away objects typical examples include going on safari or birdwatching you will also need a strong telephoto lens. If space is at a premium, you may be tempted to ditch the kit lens and instead go for a superzoom lens that covers the full range from wide angle to to 200 or even 300mm; however, picture quality on these will suffer noticeably and you'll be stuck using a physically big lens all the time. A smaller range 75 200mm or a fixed focal length telephoto will offer better quality. 24mm or less for 35mm film) might be useful.<br><br>People with several interchangeable lenses sometimes carry two or more bodies with different film, or even a digital and a film body. A camera body that uses film can be an advantage for wide angle lenses, because the larger format widens the angle that lens captures. Put a lens from a film camera on most digital bodies and the angle of view decreases; a 24mm lens on a digital camera might have the limited angle of view of a 38mm lens on a film SLR. Why not load some film into another body and use the lens as real wide angle optics? This may give pictures that your digital rig can't capture.<br><br>If you are going on a safari for two weeks, you might consider renting a lens. Lens rental can cost about 10% the cost of the lens for a 2 week rental, and you can always have the right lens for your style of trip.<br><br>[edit] ISO Conditions<br><br>Photography is the art of allowing the correct amount of light to pass through the sensor. Sensors can change their sensitivity to light, measured in ISO values. The less light you have, the more ISO sensitivity must be set for the correct amount of light to get to the sensor.

Travel photography<br><br>Whether you look at them as the most expensive photographs you've ever taken, or the least expensive souvenirs you've ever purchased. whether you "take snapshots" or "create images". There's no single "best" camera or even kind of camera for travel photography. The kind of pictures you want to take, how much flexibility or ease of use you want, your budget, and even how much you want to carry all factor into it.<br><br>Regardless of media type, cameras tend to fall into three categories of ease of use and features; an increase of one tends to decrease the other:<br><br>In Phone cameras, which are bundled with most smartphones, providing a quick way for shooting without any additional device. Newer models like the iPhone 5 have considerable quality although almost all of these are no match when compared to a device specific for shooting (a real camera). They are quite OK however for the casual photographer.<br><br>Compact cameras, which provide at a reasonable price a way for quality images. If you usually take landscapes, people, and avoid weird conditions such as low light shooting or photographing speeding animals, then this is for you. Some of them have really high standard capabilities, easily comparable to the more expensive SLRs.<br><br>SLR cameras which provide the best manipulative ability and features, at the expense of the cost and other factors (like the size, the need for lens cleaning, the lack of automatic settings). They are for the serious shooter, but there can be problems when you just want to shoot something from inside a bus window.<br><br>Last years Compact and SLR tend to merge in both prices and capabilities.<br><br>The more the MPs, the bigger the size of the photograph, however the quality does not necessarily increase. The human eye cannot distinguish between higher levels of resolution, especially when the photo is viewed in an electronic device (in fact, the most high end TV sets have is 1980x1020 = 2MP).<br><br>Quality depends mostly on the sensor and the lens, not on the resolution. You may get a 12 MP camera with a poor lens (that's what most Smartphones have) that takes a lot worse images than a 4MP SLR camera.<br><br>The more the resolution,prada ipad mini 2 case, the more SD card storage you want.<br><br>Most cameras store the images with JPG which is lossy compression. If you need the 100% quality, you have to use the RAW format (usually available in SLRs).<br><br>When home, recompress your images. CPU power on PCs is much more than on camera, so you can get the same quality with less size.<br><br>Put your camera to shoot in 16:9 aspect ratio format. The old one 4:3 is deprecated and, when such images must be viewed in computers or TV sets, they will be stretched.<br><br>[edit] Media<br><br>Most, if not all cameras nowadays use SD cards to store media. These can be up to 64 GB in size; In practice, take two or three 8 16GB with you and you will be fine.<br><br>Some older models still use CDrs to store photos/videos. Avoid them, because a CD is more vulnerable to scratching or errors in writing (which could make it unusable). SD cards are more stable.<br><br>Digital cameras usually have different quality modes available which use more/less storage space for each picture. They sometimes have confusing names like SHQ, HQ, and SQ1, and different resolutions (how many pixels). Experiment ahead of time to figure out what quality setting you want to use. Keep in mind that you don't need multi megapixel images to fill a computer screen or make a pocket sized print, and you'll be able to fit a lot more photos on the same card with lower settings. Don't use the in camera display to determine what setting to use, because it can't show you how much detail you're losing; look at the final results in a print or on the computer screen (depending on how you plan on viewing your photos). The ability to switch to lower quality settings can also be useful if you're running out of storage space in the middle of nowhere: better to have the last couple dozen pictures taken at a less than ideal quality setting than to run out of exposures before you reach home.<br><br>For professional and prosumer cameras with interchangeable lenses, the choice of lenses to bring along becomes crucial. Many come with a standard kit lens that covers the range from wide angle to short telephoto. For a high end digital SLR this might be in the range of 18 70mm; for a 35mm SLR 28 100mm would be equivalent. (The magnification strength of lenses on digital SLRs varies from that of 35mm film, and even from camera to camera.) However, due to their moving parts zooms are more prone to breaking, and a sturdy and fast 50mm prime lens is a popular (and compact) backup.<br><br>Often the kit lenses are designed more for low cost than high quality; in particular they are generally quite slow. Professionals tend to buy either "prime" fixed focal length lenses or much more expensive high end zooms.<br><br>If you intend to photograph far away objects typical examples include going on safari or birdwatching you will also need a strong telephoto lens. If space is at a premium, you may be tempted to ditch the kit lens and instead go for a superzoom lens that covers the full range from wide angle to to 200 or even 300mm; however, picture quality on these will suffer noticeably and you'll be stuck using a physically big lens all the time. A smaller range 75 200mm or a fixed focal length telephoto will offer better quality. 24mm or less for 35mm film) might be useful.<br><br>People with several interchangeable lenses sometimes carry two or more bodies with different film, or even a digital and a film body. A camera body that uses film can be an advantage for wide angle lenses, because the larger format widens the angle that lens captures. Put a lens from a film camera on most digital bodies and the angle of view decreases; a 24mm lens on a digital camera might have the limited angle of view of a 38mm lens on a film SLR. Why not load some film into another body and use the lens as real wide angle optics? This may give pictures that your digital rig can't capture.<br><br>If you are going on a safari for two weeks, you might consider renting a lens. Lens rental can cost about 10% the cost of the lens for a 2 week rental, and you can always have the right lens for your style of trip.<br><br>[edit] ISO Conditions<br><br>Photography is the art of allowing the correct amount of light to pass through the sensor. Sensors can change their sensitivity to light, measured in ISO values. The less light you have, the more ISO sensitivity must be set for the correct amount of light to get to the sensor.